Authorship, Anthems and Authorisation

February 18, 2010

Australia is currently awash with landmark, first instant copyright cases:

In the Telstra decision, the court held that copyright does not subsist in Telstra’s White or Yellow Pages.  The decision is significant as it means that these directories can be copied by other publishers.  The decision may also impact other authors whose works may be considered a compilation of facts without the level “literary effort” required by the court to be considered protected as a copyrighted work.

In the Kookaburra case, Australian rock band Men at Work were held to have taken the flute riff for the hit song “Down Under” from an old children’s song “Kookaburra Sits In The Old Gum Tree”.  Damages are yet to be decided.  Click here to listen to a mix of both songs from ABC news and judge for yourself.

In iiNet, the Federal Court held the ISP not liable for user’s peer-to-peer distribution of copyrighted works.  The decision will potentially impact both internet users and copyright owners as it determines how much ISPs are required to do to prevent customers from sharing content downloaded illegally.

To discuss these cases in-depth, Associate Professor David Brennan in conjunction with IPRIA and the CMCL will be organising a discussion amongst Australia’s leading experts in law and economics.  The seminar “Authorship, Anthems and Authorisation: a legal and economic review of the copyright triptych” will be chaired by Jock Given.  The seminar will be held in Melbourne on Thursday, 18th March 2010 at 2.00 – 5.00pm; and in Sydney on Friday, 19th March 2010 at 2.00 – 5.00pm.

Click here to reserve your place.


Welcome to the Fortnightly Review!

February 18, 2010

Welcome to the first issue of the Fortnightly Review. The Fortnightly Review is a fortnightly online journal hosted by IPRIA and the CMCL at the University of Melbourne. Our mission is to provide a forum for independent and critical and cross-disciplinary analysis of issues and ideas to do with IP & Media Law, drawing on the talents of an eclectic group of (mostly academic) writers from Australia and elsewhere.

We draw inspiration from the original Fortnightly Review, founded in 1865 by Anthony Trollope and others with the mission of providing an open forum for the discussion of issues and ideas – its eclectic range of writers including some of the most distinguished public intellectuals of the day.  Early issues of the (original) Fortnightly included essays by Walter Bagehot on ‘The English Constitution’, Anthony Trollope’s first chapters from The Belton Estate, and George Eliot writing on ‘The Influence of Rationalism’. Similarly, in later issues its writers covered topics of literature, science, politics and law, offering a variety of insights and viewpoints without any sense of narrow professional specialism. In the fortnights to come we set out to recreate a sense of open-minded exchange between lawyers and non-lawyers in the fields of IP & Media Law where the law’s effect on commercial and social practices is profound and ingrained.

We begin modestly. This issue includes a brief description of some important recent copyright cases in the Australian Federal Court and draws your attention to public events being hosted by IPRIA and the CMCL where they will be discussed and debated by experts in copyright law and economics. Look out for future issues where the content will become more substantial and will include, as well as references to important current developments, opinion pieces and commentaries of various kinds.

From the editors

Megan Richardson, Andrew Kenyon and Vicki Huang


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